To Have And Have Not :: essays research papers fc

make Report To Have and Have NotHarry Morgan is the central office of Hemmingways To Have and Have Not. Morgan plays the role of protagonist though he does not always act with good motives or goals. The concur deals with the capitulation of his life beginning with a murderous secret run from Cuba and destination in the bloody death of Morgan after suffering a gunfire to the stomach.1. AppearanceMorgan is a rugged fisherman who spent his life doing respective(a) seafaring activities. The long days under the sun on aggrandise has given him a dark skin tone. His appearance depicts visually the hard-bitten violent world in which he thrives. His looks are almost a uniform for the criminal underground scene where he lives his life. The author uses his wife watching him leave their home as a vehicle to describe in detail his physical appearance. She watched him go come on if the house, tall, wide shouldered, flat-backed, his hips narrow, moving, still, she thought, kindred wh atsoever kind of animal, easy and swift and not old yet, he moves so light and smooth-like, she thought, and when he got in the motorcar she Nelson2saw him blonde, with the discolor hair, his face with the broad Mongol cheek bones, and the narrow eyes, the nose unkept at the bridge, the wide mouth and the round jaw, and getting in the car he grinned at her and she began to cry. (Hemmingway 128) Also worthy of notice, halfway through the book Harry losses his arm in a gunfight with some Cuban patrols on a liquor run.2. Words and ActionsHarry Morgan gives cogency to the idiom, Curse like a sailor. He fights like one too. Morgan is the quintessential smuggler. All his actions seem violent and towards the ends of making silver. His actions are done out of necessity or desperation. This is seen clearly in the way he elapseles a client of his, a client that knows too much. He put his hand in his pocket and reached the money out toward me. I reached for it and grabbed his wrist with th e money in his hand, and as he came forward on the stern I grabbed his throat with the other hand. (Hemmingway 53) His actions are brutal and direct.Even towards close associates he seems ruthless. He came very close to killing a friend of his that sneaked aboard his ship for a ride back to America.