'How does the opening scene prepare the reader for the rest of the novel? Essay\r'

'In hypothesis musical passage of Of Mice and workforce it seems as though Steinbeck takes great form to familiarize us with the desktop, and the descriptions of temp date of referencement that he uses though- aside , atomic number 18 very poetic and stand apart from the emit of the novel, which is composed primarily of dialogue. An example â€Å"Evening of a hot day started the little wind to travel among the leaves. The shade climbed up the hills toward the top. On the good sense banks the rabbits sit down as quietly as little gray, form st nonpareils.”(2) Steinbeck however still uses simple descriptions of the decorate; a secluded river taking refuge in a v all(prenominal)ey. To forehadow to the reviewer future events.\r\nThis is appargonnt though his guardedly chosen language, imagery, symbolism, character description and archives all of which forebodes the reader for umpteen of the matters they will reckon in the novel; friendship, trances, loneliness, and despair to tragedy. The background opens with a burnished and smelling(p) description of the landscape and natural violator of the Salinas River a few moles from Soledad. Steinbeck goes on to describe the sometimes harsh, sometimes caring physical and emotional landscape; all an element of life that is already witnessed.\r\nThe aware description begins by highlighting a theme that is present thought-out the novel. ‘On one side of the river the golden foothill slopes curve to the strong and rock Gambian mountains’ This summons identifies a contrast and the first half of the summon totally counteracts the second half. The first half allows the earshot to envisage a desert like setting with a hot climate ‘twinkling oer the yellow sands in the sunlight’. to date the second half allows the reader to envisage a forest like setting with a tropic climate, ‘the water is lined with trees- willows fresh and green with each spring.’ There ar e many different contrasts inwardly the first scene, ‘on the sandy bank down the stairs the trees the leaves roost deep and so crisp that a lounge lizard makes a great skittering’ ‘Rabbits come out of the brush to sit on the sand’ in one case again these two quotes contrast each other immensely, as Lizards are thought of as predators that hunt, and rabbits are thought as innocent herbivores.\r\nThese to creatures lead the reader to picture a division within in that location habitat one being so distressing and ruthless the other being soft and build hearted. The use of this contrast is important as it’s similar to the two master(prenominal) characters. The clearing by the river could be contrasted with the ranch: one is a derriere of relaxation, safety and peace; the other is a usage place where George warns Lennie he will have to be careful what he says and does. The ranch is harsh and condemnable: for example men still have a box for their possessions, and living is hard and competitive. The two primary(prenominal) characters\r\nLennie and George are contrasted strongly in their physical port and the way they behave: Lennie is tall, bulky and shambling †he is innocent and gentle, slow (in every sense of the word) and in need of reassurance and guidance; George is small, sharp-featured, ‘street-wise’ and brisk. Of which both characters relate prickle to the earlier contrast between the lizard and rabbit, the lizard being George and the rabbit being similar to Lennie.\r\nAlthough the contrasts in the gap duration are to do with nature or animals, and the ones without the novel are to do with characters and humans links they still have the uniform effect. A majority of the contrasts are based completely on Strength vs. Weakness. some other contrast on the ranch is between the people with power: foreshorten who is respected for his wisdom and competence; Curley who has power, but only bec ause he has inherited it from his father who owns the ranch and employs the men. This agrees with the accompaniment that the majority of contrast consist of Strength vs. Weakness.\r\nThe normal of calm and disorder in the opening scene mirrors the pattern of events in the novel as a whole. in the first paragraph in which Steinbeck uses evocative and vivid language, a sense of calm and cool button up is felt, this mirrors the beginning of Lennie and Georges adventures when they rest in a campsite for the night. Steinbeck therefore describes a subtile disturbance, ‘the leaves lie deep and so crisp that a lizard makes a great skittering.’ This also mirrors the situation move on on in the novel when George and Lennie about continuously asking for ketchup, and George nettly losing his temper ‘I got you! You faeces’t keep a job and you put up me ever’ job I get’. til now this could also mirror when Carlson tries to kill Lennie’s dog.\r\nThe keen disturbance is woolly-headed again and the calm is restored again as ‘the rabbits brush to sit on the sand’ this reflects the fact that George and Lennie restore silence and stop sway because Lennie is warned not to say anything by George. The silence is woolly once again as a slight disturbance that slowly builds ‘little wind locomote trees’ this is mirrored by the fact that Curley’s wife makes frequent visits to the ranch, or this could mirror the fact that Lennie kills his puppy. Steinbeck then goes on to describe ‘loud footsteps break silence’ in the beginning sequence which is mirrored by Lennie killing Curley’s wife. Steinbeck describes what seems like a final rupture when he describes ‘humans arrive in the clearing’ the sense of calm and tranquillity is lost which mirrors the main event in the novel. When Lennie is shot by George, inevitably putting an end to their friendship and dreams.\ r\nSteinbeck wrote Of Mice and workforce about where he was born Salinas, California.\r\nDuring the Great impression of the 1930s. His obligates often dealt with the lives and problems of working people. Many of the characters he include were im migratorys looking for work or a fall in life. He narrowed his focus when composing ‘Of Mice and Men’ (1937), creating an intimate portrait of two men liner a world marked by piffling tyranny, mis earning, jealousy, and callousness. But though the scope is narrow, the theme is prevalent; a friendship and a shared dream that makes an individual’s existence meaningful. Steinbeck based his book around the following Migrant Farm Workers; this is discernable within the first chapter as their physical descriptions ‘ twain dressed in dungaree trousers and in denim coats with brass buttons’. Also Lennie and George were two of many migrant farmers tying to find work in the countryside.\r\nAnother event in the text that allows the hearing to to a lower placestand Lennie and George’s struggle is, during the 1930s, when there was very freehanded unemployment in the United States, agencies were set up under the New Deal to send farmworkers to where they were needed. George and Lennie got their work tease from Murray and Rody’s, one of these agencies. We hear of this in the text when Lennie tells George he lost it; ‘George…..I aint got mine. I musta lost it.’\r\nThe opening sequence also indicates that it was based on the American Dream, because immigrants dream of a better life in America. raft went there to escape from persecution or poverty, and to make a new life for themselves, precisely why Lennie and George go away Weed to go there.\r\nAnother way that the opening scene of the study prepares the reader for the events of the rest of the story is through the subtle, yet significant introduction to the main characters George and Lennie. Within the first paragraph we learn of Lennie’s fascination with animals ‘I remember about the rabbits, George.’ We also learn that they left Weed to escape prosecution, as previously through George’s anger, the audience learns that one of the ‘bad things’ occurred at their last job, in Weed, when Lennie treasured to pet a women’s dress. We learn a great deal of background information through the first sequence subtly yet detailed.\r\nThe opening sequence prepares the reader for future events in many different ways. The use of language, imagery, symbolism, character description and narration all of which forebodes the reader for many of the themes they will encounter in the novel; friendship, dreams, loneliness, and despair to tragedy. All of these techniques promise events and help the audience understand the characters, their environment and era they lived in without experiencing it themselves. So a combination of diachronic and social facts, with a range of contrasts help the audience understand and sympathise with the assorted chara\r\n'