Marlene Dietrich Madonna and the priapic Gaze Marlene Dietrich, Madonna, and the Male Gaze in fair Venus and Desperately Seeking for Susan As audiences, we subconsciously identify the manful protagonists and take effeminate as spectacle during the locomote picture watching, due to the social function of narrative films. (Turner 72)1 thusly feminists necessitate been slashing the objection of female corpse in ??male respect?? in the narrative films over the decades. Male compliments is in term of the fetishistic scopophilia and sadistic voyeurism.
Fetishistic scopophilia deals wit h male optical come across over females for the aesthetic presentation, which influence the social movement of female body in films. And sadistic voyeurism is the erotic gaze in pains, which shapes the female characterization in films. Thus, the female characters in narrative films luck the common pattern ?? beautiful and fragile, in other words, non intellectual and dependent on men. Nevertheless, Marlene Dietrich in Blonde ...If you motivation to get a full essay, order it on our website: OrderCustomPaper.com
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